With two weeks to go until the opening of Gilbert & Sullivan’s Ruddigore, Kay Shepherd explains why returning to the choreography is like meeting old friends:

Hal Cazalet as Richard Dauntless (centre). Photo: Robert Workman

“Having had such a joyous time choreographing the original production of Ruddigore for Opera North in 2010, I was both excited and a little apprehensive about returning for the revival. Happily, any concerns about keeping the working process fresh were unfounded and I am now at the start of rehearsal week  three, with two really positive weeks behind me.

“Most of the cast is the same as before and I was correct in believing that the majority of the movement and dance would ‘come back’ to the performers’ bodies with a little help from music, lyrics, props, other actors and myself.

“The rediscovery of movements is sometimes like bumping into old friends… much excitement! We then have to remember why we became friends in the first place and not get overtaken with the joy of muscle memory.

Richard Burkhard as Sir Despard Murgatroyd. Photo: Robert Workman

“Most of the choreography in the production is as before, but there have been natural developments through re-rehearsal and I have made a few small changes.

“The main objective for me is for the final product to be clear in style and narrative, and for the performers to look and feel comfortable with what I ask them to do.

“And so onwards. I like Leeds, I like Opera North and I like Ruddigore. Happy Days.”

Kay Shepherd
Choreographer, Ruddigore

Opera North’s production of Ruddigore, by Gilbert & Sullivan, directed by Jo Davies, opens at Leeds Grand Theatre on Friday 30 September. For more information and booking details, click here.

Listen to some sound clips from the production here.


Ruddigore – ‘Cheerily carols the lark’ by Opera North


Ruddigore – ‘I once was a very abandon’d person’ by Opera North

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